Completedworks Candlestick in Clear - Blue. Size all. 100% recycled glass. Made in Kenya. Hand wash recommended. Made from 100% broken window and bottle glass melted down and repurposed using old engine oil as fuel. Each item is 100% handmade items may differ slightly in shape and size. Measures approx 10 H. CRKF-WH1. B113. About the designer: Completedworks documents the beauty and complexity of the everyday through the practice of jewelry and ceramics. Working primarily from recycled materials, the brand's signature pieces gently roll against the tide of convention - using sculptural forms that weave, loop, twist, flow, enfold and expand to explore broader questions about the human condition and trade blows with history, politics and the language of art. As Artistic Director and Founder, Anna Jewsbury is responsible for developing collections and defining the brand's vision and image. Having studied Mathematics & Philosophy at Oxford, her aesthetic vocabulary is influenced strongly by reductionism, with a process drawing on the contrasts between high quality materials and purist elements.
Completedworks Candlestick in Clear - Blue. Size all. 100% recycled glass. Made in Kenya. Hand wash recommended. Made from 100% broken window and bottle glass melted down and repurposed using old engine oil as fuel. Each item is 100% handmade items may differ slightly in shape and size. Measures approx 10 H. CRKF-WH1. B113. About the designer: Completedworks documents the beauty and complexity of the everyday through the practice of jewelry and ceramics. Working primarily from recycled materials, the brand's signature pieces gently roll against the tide of convention - using sculptural forms that weave, loop, twist, flow, enfold and expand to explore broader questions about the human condition and trade blows with history, politics and the language of art. As Artistic Director and Founder, Anna Jewsbury is responsible for developing collections and defining the brand's vision and image. Having studied Mathematics & Philosophy at Oxford, her aesthetic vocabulary is influenced strongly by reductionism, with a process drawing on the contrasts between high quality materials and purist elements.
